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Ever wonder how photographer Robert McGaffin takes those wonderful action blur shots? Here he is preparing a shot for Adrienne Janic's lightweight '68 Firebird, which is on our cover this month. The rig attaches under the car with super-strong magnets, the camera clamps to the articulated pole, and Robert grabs a long exposure with the car rolling slowly downhill. He then takes the pole out of the shot with photoshop. If you're really lucky, we'll do this to your car some day, too.